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In the Fall of 1969, the Pink Panther cartoons made their way to NBC television shown Saturday mornings via The Pink Panther Show. NBC added a laugh track to the original cartoons, with Marvin Miller brought on as an off-camera narrator talking to the Pink Panther during bumper segments featuring the Pink Panther and The Inspector together.

Pink Panther shorts made after 1969 were produced for both broadcast and film release, typically appearing on television first, and released to theatres by United Artists. One version of the show was called The Think Pink Panther Show. A number of sister series joined The Pink Panther on movie screens and on the airwaves, among them The Ant and the Aardvark, The Tijuana Toads (a.k.a. The Texas Toads), Hoot Kloot, and Misterjaw (a.k.a. Mr. Jaws and Catfish). There were also a series of animated shorts called The Inspector, with the Clouseau-inspired Inspector and his sidekick Sgt. Deux-Deux, whom the Inspector is forever correcting. ("Deux" is French for "two," meaning the little man's name is both a pun and a play on words, "two" appearing twice in the name.) Other DePatie-Freleng series included Roland and Rattfink, The Dogfather (a Godfather pastiche), with a canine Corleone family and two Tijuana Toads spinoffs, The Blue Racer and Crazylegs Crane.

The German television version which started airing in 1973 in ZDF was presented in 30-minute episodes, composed of one Pink Panther cartoon, one episode of The Inspector and one episode of The Ant and the Aardvark. Most notably, the difference between the German and the English version of the Pink Panther is a rhymed narration in the German version (spoken by voice actor Gert Günther Hoffmann), commenting and describing the plot. For this show, custom intro and end sequences were cut together from existing pieces of animation.

In 1976, the half-hour series was revamped into a 90-minute format, as The Pink Panther Laugh and a Half Hour and a Half Show; this version included a live-action segment, where the show's host, comedian Lenny Schultz, would read letters and jokes from viewers. This version flopped, and would change back to the original half-hour version in 1977.

In 1978, The Pink Panther moved to ABC and was rebranded The All New Pink Panther Show, where it lasted one season before leaving the network realm entirely. The ABC version of the series featured sixteen episodes with 32 new Pink Panther cartoons, and 16 of Crazylegs Crane. The 32 entries were later released theatrically by United Artists.

Animation historian Jerry Beck notes that "Classic animation pretty much died in the '60s, everyone had kind of bailed out. But his creators didn't rest on their laurels. They didn't make the cartoons to look like Warner Bros. cartoons, or Disney cartoons, or the UPA look of Mister Magoo and Gerald McBoing-Boing. They came up with their own clever new style. The only other important cartoon of the '60s was Yellow Submarine."

The Pink Panther was a notable contribution to the animation art form. Top animation directors such as Hawley Pratt, Gerry Chiniquy, Robert McKimson, and Sid Marcus contributed to a distinctive style, supported by master story writer John W. Dunn. Produced after theatrical cartooning's golden age of the 1940s and 50s, they were constrained to the limited animation techniques applied to Saturday morning cartoons of 1960s and after. Within these limitations, the Pink Panther made creative use of absurd and surreal themes and visual puns and an almost completely wordless pantomime style, set to the ubiquitous Pink Panther theme and its variations by Henry Mancini. The overall approach is reminiscent of the classic silent movies of Charlie Chaplin and Buster Keaton.